5th GenAI Studio
AI-Powered Film & Creative Production Studio
Post & Sound DUAL DI GRADING ⏱️ Turnaround: 3–7 Days

Dual DI Color Grading DaVinci Resolve

Dual DI color grading in DaVinci Resolve: Rec.709 (Gamma 2.4) for OTT streaming and calibrated DCI-P3 for theatrical cinema.

Rate: ₹40,000 / reel (or ₹85k / ep)
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Dual DI Color Grading DaVinci Resolve
CAPABILITIES & METHODOLOGY

Technical Scope & Production Workflow

Color grading is the emotional lens through which an audience experiences cinematography. GenAI Studio provides master Digital Intermediate (DI) color grading executed on calibrated Barco cinema projectors and Flanders Scientific OLED reference mastering monitors inside DaVinci Resolve Studio.

We operate a dual color-managed ACEScct pipeline that creates two independent, mathematically calibrated masters for every project: a Rec.709 (Gamma 2.4) master calibrated for consumer OLED televisions and streaming platforms (Netflix, Prime Video, Sun NXT), and a true DCI-P3 theatrical master calibrated for laser cinema projection.

Our colorists balance skin tones across contrasting lighting setups, craft signature cinematic look profiles (vintage Eastmancolor, gritty teal-and-orange, golden warm nostalgia), and isolate micro-contrast details in shadows and highlights.

Service Specifications

VERIFIED QC
Output Master Standards
DaVinci Resolve Studio / ACEScct / DCI-P3 & Rec.709 / Dolby Vision Ready
Indicative Rate Card
₹40,000 / reel (or ₹85k / ep)
Estimated Turnaround
⏱️ 3–7 Days
Quality & Ingestion Guarantee
✓ 100% OTT & Theatrical QC Acceptance Pass
PRODUCTION DELIVERABLES

What You Receive in the Master Manifest

Every project is backed by uncompressed master files, calibrated color metadata, and certified QC reports.

01
Dual DI mastering: Rec.709 (Gamma 2.4) OTT + DCI-P3 Theatrical passes
Conformed to international archival & broadcast compliance standards.
02
Shot-to-shot skin tone balancing, keying, and ambient lighting matching
Conformed to international archival & broadcast compliance standards.
03
ACEScct color-managed workflow ensuring zero gamut clipping or banding
Conformed to international archival & broadcast compliance standards.
04
HDR10 / Dolby Vision metadata generation for premium streaming tiers
Conformed to international archival & broadcast compliance standards.
05
High-bitrate Apple ProRes 4444 XQ and certified 4K DCP master deliverables
Conformed to international archival & broadcast compliance standards.
COMMON QUESTIONS

Color Grading FAQs

Answers to key technical questions regarding source formats, turnaround timelines, and revisions.

Why do we need two separate color grades (OTT vs Theatrical)? +
Cinema projectors operate in the DCI-P3 color space with higher dynamic contrast, while home TVs and mobile phones operate in Rec.709 with Gamma 2.4. A single grade will look washed out or clipped across differing displays.
Can we attend the color grading session virtually? +
Yes, we provide calibrated low-latency DaVinci Resolve remote live-streaming so directors and DPs can review grades on iPad Pro reference displays in real time.
Can you recreate the exact look of vintage 1970s South Indian cinema? +
Yes, we have custom vintage 35mm Eastmancolor and Fuji film emulation LUTs calibrated specifically for period Tamil and Telugu cinema.
TRANSPARENT STUDIO COLLABORATION

Ready to Elevate Your Production with Color Grading?

Review our transparent indicative rate cards, test a 30–60 second pilot reel, or connect directly with our creative director in Salem HQ.

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